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Pronounced "bohn eevair; French for "good winter" and spelled wrong deliberately. This debut is centered around a particular aesthetic; Justin Vernon, the primary force behind Bon Iver, moved to a remote cabin in the woods of Northwestern Wisconsin at the onset of winter, alone for three months. This solitary time fed a bold, uninhibited new musical focus. All his personal trouble, lack of perspective, heartache, longing, love, loss, and guilt that had been stockpiled over the past six years was suddenly purged into song. The NY Times called this record "irresistible", and it was given a "Recommeded" rating by Pitchfork. RIYL: Iron & Wine, M. Ward, and Elliott Smith.
Bon Iver - For Emma, Forever Ago [Vinyl]
$22.98
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Phoebe Bridgers wrote her first song at age 11, spent her adolescence at open mic nights, and busked through her teenage years at farmers markets in her native Los Angeles. By age 20, she'd caught the ear of Ryan Adams, who listened to her perform her song "Killer" in his L.A. studio, inviting her to come back and record it there the next day. The session blossomed into the three-song ‘Killer’ EP, released to much acclaim on Adams’s Pax-Am label in 2015. In the two short years since, Bridgers has toured or played with Conor Oberst, Julien Baker, City and Colour, Violent Femmes, Mitski, Television and Blake Babies among others. On September 22nd, Phoebe Bridgers will release her debut full-length, Stranger In The Alps. From the weeping strings and Twin Peaks twangs of opening track Smoke Signals, to the simple heartbreak of Funeral and melancholic crescendo of Scott Street, Stranger in the Alps is a swooningly beautiful record with a gothic heart.

Phoebe Bridgers - Stranger In The Alps [LP]
$24.98
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Like the days of Steely Dan or Harry Nilsson releasing a classic album every year (or less) comes Mac DeMarco’s Another One, a Mini-LP announced one year after the release of the meteorically successful Salad Days. Written and recorded during the downtime between a relentless touring schedule, Another One is an eight-track release that expands the arsenal of Mac’s already impressive catalog, showing the maturity of Mac’s progression as songwriter: it’s a bit more refined, a bit more sophisticated, but nonetheless retains the guts and soul of classic Mac.
Mac DeMarco - Another One [Vinyl]
$24.98
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Salad Days, is the follow up to 2012's lauded Mac DeMarco 2 which saw the Edmonton local propelled into the limelight. Written and recorded around a relentless tour schedule (which picked up all over again as soon as the LP was done), Salad Days gives the listener a very personal insight into what it's all about to be Mac amidst the craziness of a rising career in a very public format.
Mac DeMarco - Salad Days [Vinyl]
$24.98
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Before you ancients out there turn your heads and scoff at the premise of a twenty-something rock-and-roll goofball calling himself an old-anything, consider this: said perpetrator, he who answers to the name Mac DeMarco, has spent the better part of his time thus far writing, recording, and releasing an album of his own music pretty much every calendar flip, and pretty much on his own. The fresh meat you’re now feasting on, This Old Dog, makes for his fifth in just over half a decade—bringing the total to 3 LPs and 2 EPs.
Mac DeMarco - This Old Dog [LP]
$24.98
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Hailing from the sultry metropolitan landscape of Austin, TX, Explosions in the Sky are some of the most sincere folks you will ever meet. Aside from being nice guys, they play some of the most passionate, powerful instrumental music you will ever hear. Equal parts romance and tragedy, their beautiful melodies have the tendency to ignite into head-spinning walls of noise. Easily one of the most intense live bands ever.
Explosions In The Sky - The Earth Is Not a Cold Dead Place [2LP]
$35.98
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If you purchased a snake plant, asparagus fern, peace lily, or what have you from Mother Earth on Melrose Avenue in Los Angeles (or bought a Simmons mattress from Sears), you also took home Plantasia, an album recorded especially for plants. Subtitled “warm earth music for plants…and the people that love them,” it was full of bucolic, charming, stoner-friendly, decidedly unscientific tunes enacted on the new-fangled device called the Moog. Plants date back to the dawn of time, but apparently, they loved the Moog, never mind that the synthesizer had been on the market for just a few years. Most of all, the plants loved the ditties made by composer Mort Garson.

Few characters in early electronic music can be both fearless pioneers and cheesy trend-chasers, but Garson embraced both extremes, and has been unheralded as a result. When one writer rhetorically asked: “How was Garson’s music so ubiquitous while the man remained so under the radar?” the answer was simple. Well before Brian Eno did it, Garson was making discreet music, both the man and his music as inconspicuous as a Chlorophytum comosum. Julliard-educated and active as a session player in the post-war era, Garson wrote lounge hits, scored plush arrangements for Doris Day, and garlanded weeping countrypolitan strings around Glen Campbell’s “By the Time I Get to Phoenix.” He could render the Beatles and Simon & Garfunkel alike into easy listening and also dreamed up his own ditties. “An idear” as Garson himself would drawl it out. “I live with it, I walk it, I sing it.”

But as his daughter Day Darmet recalls: “When my dad found the synthesizer, he realized he didn’t want to do pop music anymore.” Garson encountered Robert Moog and his new device at the Audio Engineering Society’s West Coast convention in 1967 and immediately began tinkering with the device. With the Moog, those idears could be transformed. 

“My mom had a lot of plants,” Darmet says. “She didn’t believe in organized religion, she believed the earth was the best thing in the whole world. Whatever created us was incredible.” And she also knew when her husband had a good song, shouting from another room when she heard him humming a good idear. Novel as it might seem, Plantasia is simply full of good tunes.

Hearing Plantasia in the 21st century, it seems less an ode to our photosynthesizing friends by Garson and more an homage to his wife, the one with the green thumb that made everything flower around him. “My dad would be totally pleased to know that people are really interested in this music that had no popularity at the time,” Darmet says of Plantasia'snew renaissance. “He would be fascinated by the fact that people are finally understanding and appreciating this part of his musical career that he got no admiration for back then.” Garson seems to be everywhere again, even if he’s not really noticed, just like a houseplant.

**Comes with fully restored original booklet with new liner notes by Andy Beta (Pitchfork). All vinyl copies come with seed paper download card – plant it and watch it sprout!**

Mort Garson - Mother Earth's Plantasia [Limited Edition Green LP]
$23.98
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Limited 180 gram vinyl pressing of this 1973 album from the soul icon. Let's Get It On is the 13th studio album by Marvin Gaye. Serving as Gaye's first venture into the funk genre and romance-themed music, Let's Get It On incorporates smooth soul, doo-wop, and quiet storm. It has been noted by critics for it's sexually suggestive lyrics, and was cited by one writer as "one of the most sexually charged albums ever recorded." Following the breakthrough success of his socially conscious album What's Going On (1971), Let's Get It On helped establish Gaye as a sex icon and furthered his mainstream appeal. It produced three singles-the title track, "Come Get to This", and "You Sure Love to Ball"-that attained Billboard chart success. Let's Get It On became the most commercially successful album of Gaye's recording career, and it further expanded his creative control during his tenure with Motown.
Marvin Gaye - Let's Get It On [180 Gram]
$29.99
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Double vinyl LP pressing. Peter Gabriel wanted to make a movie out of the rock opera that is The Lamb Dies Down on Broadway. That never happened, but thank God this 1974 double-LP did; this Gabriel-era Genesis masterpiece just missed the Top 40 but remains a magnificent achievement, marrying hypnotic instrumentals with hook-infused rockers: the classic title track, "In the Cage," "Back in N.Y.C.," "The Carpet Crawlers," "Lilywhite Lilith," "Riding the Scree" and more! The Lamb Lies Down on Broadway is the sixth studio album by Genesis and their last album recorded with Peter Gabriel as their lead singer before his departure from the group in 1975.
Genesis - The Lamb Lies Down on Broadway (1974)  (2LP)
$39.98
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Complete your Hozier music collection with the Unreal Unearth Unending Companion Version vinyl featuring 1 "Raw Ochre" colored LP in an expanded trifold package with space to hold your original Unreal Unearth album alongside 10 tracks never before pressed on vinyl. The Companion Version single LP features Hozier's additional music releases across the Eat Your Young, Unheard, and Unaired EPs including Hozier's worldwide hit "Too Sweet" and 2022's "Swan Upon Leda" and the previously unreleased new track "Hymn To Virgil."

FEATURES:

  • 1LP Package Description:
  • Color: Tooth White (White/Brown Swirl)
  • Standard weight triple LP (double vinyl original album + 3rd disc with DLX tracks)
  • Trifold jacket
  • 3x Printed inner sleeves

HOZIER / UNREAL UNEARTH UNENDING

Hozier - Unreal Unearth Unending (Brwn) [Colored Vinyl] (Wht)
$53.98
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Formed of Laura Lee on bass, Mark Speer on guitar, and Donald “DJ” Johnson on drums; globetrotting Texan trio Khruangbin present their second album ‘Con Todo El Mundo’, set for release on 26th January 2018. Whereas their 2015 debut album ‘The Universe Smiles Upon You’ was influenced by 60s and 70s Thai cassettes and compilations of southeast Asian pop, rock and funk, ‘Con Todo El Mundo’ hops east over India to take inspiration in similarly under discovered funk and soul sounds of the Middle-East, particularly from Iran. Laura Lee explains the album’s title: “My grandpa would always ask me ‘Como me quieres?’ (‘how much do you love me’?), and he’d only ever accept one response. ‘Con todo el mundo’ (With all the world).” Throughout ‘Con Todo El Mundo’, Laura Lee’s melodic low-end theory, Mark’s lyrical, free-role guitar lines, and DJ’s ever-steady, ever-ready backbeat form something greater than their parts. A vibe-synchronous soul-unit travelling the planet, honing their craft, absorbing the sights, sounds and feels from cultures across the globe, processing them through the Khruangbin filter and gifting the result...with all the world.

Khruangbin - Con Todo El Mundo [LP]
$24.98
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Khruangbin's series of live LPs traces just one small slice of the band's flight plan through the years: it's a taste of some of their most beloved cities, stages and nights. Each release comes with a limited-edition unique album cover exclusive for the recording's home turf, just a little something extra for the fans that bring a little something extra. Across five releases, this series ignites both sides of Khruangbin's magic: the warm, prismatic feeling of their albums and the bewitching energy of their performances.Closing out this collection, Live at Sydney Opera House is a double LP of front-to-back Khruangbin. Here, career-spanning songs like "A Calf Born in Winter", "Maria También", "So We Won't Forget", "Shida" and "Friday Morning" arrive in their full interplanetary glory, recorded at one of the most celebrated venues on earth, the Sydney Opera House.
Khruangbin - Live At Sydney Opera House
$32.98
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2018 debut collaboration between Kanye West & Kid Cudi plus special guests including Pusha T, Ty Dolla Sign & Mos Def. Features 'Feel The Love' & 'Reborn'.

Kids See Ghosts - Kids See Ghosts [LP]
$27.98
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Before Linkin Park, our first band name was Xero. This album title refers to both this humble beginning and the journey we’re currently undertaking. Sonically and emotionally, it is about past, present, and future—embracing our signature sound, but new and full of life. It was made with a deep appreciation for our new and longtime bandmates, our friends, our family, and our fans. We are proud of what Linkin Park has become over the years, and excited about the journey ahead.

Linkin Park - From Zero [Indie Exclusive Translucent Magenta LP]
$31.98 Video
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The Immaculate Collection (2LP) - Madonna - Madonna - Madonna! The Immaculate Collection is a greatest hits album by American recording artist Madonna, originally released on November 9, 1990. It contains new remixes of fifteen of her hit singles from 1983 to 1990, as well as two new tracks. It is the first album ever to use the audio technology QSound.
Madonna - Immaculate Collection
$39.98
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Limited clear vinyl LP pressing. 2024 release, the sophomore album from Grammy-nominated band The MarĂ­as. Submarine represents themes of solitude and exploration for The MarĂ­as, delving into the complexities of human emotion and what it means to choose solitude, and the pain and beauty so inextricably interwoven within it. New single "Run Your Mouth" is just the first introduction into the band's immersive world inspired by this album. Submarine is a follow up to the band's critically acclaimed GRAMMY-nominated debut album Cinema (2021), with lead single "Hush" going No.1on Billboard's Adult Alternative Airplay chart. Known for delivering striking visuals that compliment their dreamlike songs, the band continues to create a unique and transformative experience for fans and audiences alike.
The Marías - Submarine [Ultra Clear LP]
$27.98
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Ask Mitski Miyawaki about happiness and she'll warn you: "Happiness fucks you." It's a lesson that's been writ large into the New Yorker's gritty, outsider-indie for years, but never so powerfully as on her newest album, 'Puberty 2'. "Happiness is up, sadness is down, but one's almost more destructive than the other," she says. "When you realise you can't have one without the other, it's possible to spend periods of happiness just waiting for that other wave." On 'Puberty 2', that tension is palpable: a both beautiful and brutal romantic hinterland, in which one of America's new voices hits a brave new stride.
Mitski - Puberty 2 [Vinyl]
$24.98
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Monument is a fitting title for the third album by Belarusian trio Molchat Doma. Indeed, it stands as a monument to everything they've achieved in their short time as a band, from whispered-about unknowns, to enigmatic underground icons, to legitimate viral sensations with hundreds of thousands of TikTok videos using their music. Monument sees them return as conquering heroes, expanding on the minimalist greatness of S Krysh Nashikh Domov and Etazhi to fully realize a more maximalist vision of their crystalline post-punk sound.Written and recorded while the band was quarantined in their hometown of Minsk during the COVID-19 pandemic, Monument is a conscious step up in songwriting and fidelity, and it reveals a band preternaturally comfortable in it's own skin. Whether playing to the dancefloor, as they do on the synthpop anthem "Discoteque," or working more introspectively on pre-pandemic live favorites "Otveta Net" and "Ne Smeshno," Molchat Doma are in complete control. Their greatest strength has always been their songwriting, and they've only gotten better.As the band's arrangements have grown more sophisticated, so too have the sounds they use to bring them to life. Roman Komogortsev and Pavel Kozlov's gear arsenal has grown to include an extensive range of synthesizers and drum machines, all of which they deploy with precision. Egor Shkutko's vocals move fluidly between his familiar deadpan monotone and an expressive croon, his beautifully delivered Russian lyrics at turns bleak and romantic. Shkutko has often been compared to Ian Curtis, but here, he outgrows the comparison. With Monument, Molchat Doma have done one of the hardest things to do as a band. They've greatly expanded the scope of their music while retaining everything that made them great in the first place.
Molchat Doma - Monument [LP]
$20.98
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Limited pink colored vinyl LP pressing.5: The Gray Chapter is the fifth studio album by heavy metal band Slipknot, originally released in 2014. It was the first studio album by the band in six years and the first not to feature original founding members bassist Paul Gray and drummer Joey Jordison due to the death of Gray in 2010 (the title of the album being a reference to his surname), and Jordison being fired from the band in late 2013.
Slipknot - .5: The Gray Chapter [Pink 2LP]
$29.98
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The world has finally caught up with Slowdive. A band whose reach goes far beyond just influencing music is back, with their first new album in 22 years. The album is called Slowdive - self-titled in an echo of their debut EP from 1990 - and is remarkably direct. "We were always ambitious," says frontman Neil Halstead. "Not in terms of trying to sell records, but in terms of making interesting records. Maybe, if you try and make interesting records, they're still interesting in a few years' time." Now, in 2017, the record is ready and first single from which, "Star Roving," shot to the top of the Billboard Trending 140 Chart. "There's a different energy about it," says drummer Simon Scott. "It took ages to get back together and write songs and for it to click in the studio, but this album doesn't feel like a bolt-on - it's got an energy that's as vibrant as Souvlaki and Just for a Day. It feels very relevant to now."
Slowdive - Slowdive [LP]
$24.98
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Carrie & Lowell sounds like memory: it spans decades yet does not trade on pastiche or nostalgia. Stevens s gauzy double-tracked vocals wash across the dashboard of long-finned, drop-top Americana, yet as we race towards the coast we are reminded that sunshine leads to shadow, for this is a landscape of terminal roads, unsteady bridges, traumatic video stores, and unhappy beds that provide the scenery for tales of jackknifed cars, funerals, and forgiveness for the dead. Each track in this collection of eleven songs begins with a fragile melody that gathers steam until it becomes nothing less than a modern hymn. Sufjan recounts the indignities of our world, of technological distraction and sad sex, of an age without neither myths nor miracle and this time around, his voice carries the burden of wisdom. Carrie & Lowell accomplishes the rare thing that any art should achieve, particularly in these noisy and fragmented days: By seeking to understand, Sufjan makes us feel less alone.
Sufjan Stevens - Carrie & Lowell [Vinyl]
$23.98
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Multi-instrumentalist Sufjan Stevens made a couple of records that slipped under the radar before his third, the astoundingly lush post-rock concept album GREETINGS FROM MICHIGAN, gained him critical attention and cult status. Seemingly bent on not repeating himself, Stevens scales down MICHIGAN's grandeur to a minimalist palette for SEVEN SWANS. Where the previous album was instrumentally comparable to Tortoise or Stereolab, SEVEN SWANS is practically lo-fi, based around simply strummed acoustic guitars, banjo, organ, and hushed vocals.
Sufjan Stevens - Seven Swans
$23.98
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Virginia Beach's Turnover has never been a band afraid of telling the truth. The emotional honesty poured out over a number of anthemic releases has been a proven formula of success for the band, but on their sophomore LP Peripheral Vision, the band treads into deeper water. Working again with Magnolia producer Will Yip (Title Fight, Circa Survive), Turnover's latest record shows a band maturing to create their best effort: an ethereal, reverb-drenched soundscape blending elements of hazy dream pop and the delicate emo rock of yesteryear. Songs like "Hello Euphoria" and "Like Slow Disappearing" highlight the new calmer, more subdued approach to songwriting, matched by Austin Getz's somber, confessional lyrics that echo throughout songs as if his words were haunting every measure. Peripheral Vision solidifies the idea that Turnover is a band with it's finger on the pulse of it's generation: growing and learning with every release, but never failing to provide a relatable, cathartic experience for anyone listening.
Turnover - Peripheral Vision [Colored Vinyl] [Clear Vinyl] (Org) (Can)
$23.98
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Atlanta Millionaires Club is in Faye Webster's feelings, and that's the way she likes it. "Everything is way personal, " Webster says. "I have to write about very personal things for me to even want to write." On the 21-year-old Atlanta native's new album, the omnipresence of pedal steel eschews bluegrass trappings, flexible under Webster's genre-bending direction. Webster didn't set out to make it sound like any artist in particular, but she cites Aaliyah as her main musical inspiration for how she uses sound. "That's where I first heard, 'Oh, there's this weird guitar that's bendy and it could totally be in a country song, ' but the way she's using it is what makes her music so special to me, " Webster explains. "I try to do that. I try to change the way pedal steel is supposed to sound, or keys, to make it more R&B." Pulling from a familial lineage of folk storytelling and time spent in Atlanta's hip-hop scene, Webster's work is a study of duality, weaving through her own introversion and heartbreak; it's an idiosyncratic sadness punctuated by fleeting observations and an unexpected, sly sense of humor. And like the way Webster takes the traditional instrumentation of Americana and flips it into something else, she uses her own calm, laid-back demeanor to say you can be boldly and unapologetically yourself in a quiet way, too.

Faye Webster - Atlanta Millionaires Club [LP]
$24.98
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Limited 180gm vinyl LP pressing in gatefold jacket. Blue Note Tone Poet Series. Recorded in 1967, Oblique is one of two quartet sessions the great vibraphonist Bobby Hutcherson recorded for Blue Note. Released in 1979, features Herbie Hancock (piano), Joe Chambers (drums) and Albert Stinson (bass). An incredible journey from bops to exploratory sonic poems, with standouts like breezy opener "'Til Then," Hancock's tremendous "Theme From Blow Up" and Chambers' adventurous "Oblique".
Bobby Hutcherson - Oblique (Blue Note Tone Poet Series) [180 Gram]
$38.98
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"Webster explores themes of different relationships through her broody tunes, tackling the notion of writing only sad songs by writing her "saddest song" yet. In a way, the record feels like a coming- of-age for the singer-songwriter into her own perfectly curated moment, which surely will lead to bigger and better things." (NYLON)"Faye Webster is filled with lush bluegrass sounds, featuring plenty of slide guitar and the occasional trill of a fiddle, which Webster's fragile voice flits through like that of a younger Natalie Prass." (W Magazine)"... a soulful offering heavily inspired by the country and western music she grew up listening to." (Pitchfork)"Her self-titled record will win fans across the musical spectrum for it's left-of-center approach to folk. Webster is a lifelong student of country-western songwriting and Americana sound (her mom plays fiddle; her grandfather is a bluegrass guitarist). But she punctuates her own tunes with subtle flourishes of funk. Her voice hits a sweet spot somewhere between bluegrass powerhouse Alison Krauss, Natalie Prass, and Tennis's Alaina Moore, whose light vocals glide across any melody." (VICE)#8 album of 2017 (Gorilla vs. Bear)
Faye Webster - Faye Webster (Blk) (Can)
$24.98
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Faye Webster’s songs are direct lines to the human subconscious, and Underdressed at the Symphony documents what happens once you begin to build a new self from the ashes of your old routines. This rebirth isn’t flashy or definitive, but is instead a series of seemingly mundane moments that, scattered across weeks and months, sneak their way toward something like healing. Yes, there’s a breakup in play, but Webster is not documenting the heartbreak of a breakup so much as she’s navigating the contours of heartbreak itself.

Recorded at Sonic Ranch Studios in Texas with her longtime band, Webster is accompanied on Underdressed at the Symphony by Matt Stoessel’s arcs of shimmering pedal steel, the plaintive, unhurried drums of Charles Garner, and, occasionally, additional guitarwork from Wilco’s Nels Cline, among many other crucial players. The title of the album refers to Webster’s post-breakup compulsion to visit the symphony on a whim, usually buying a ticket at the last possible second. “Going to the symphony was almost like therapy for me. I was quite literally underdressed at the symphony because I would just decide at that moment that that's what I wanted to do,” she says. “That's what I felt like I needed to hear. I got to leave what I felt like was kind of a shitty time in my life and be in this different world for a minute.”

That strain of lightheartedness with a melancholic backbone permeates the album, and is the major driving force behind “Lego Ring,” which features Atlanta multi-hyphenate Lil Yachty, the only guest voice on the entire album. Yachty’s ghostly warble floats just under Webster’s voice, jabbing through empty space, trembling over a low rumble of bass. The song is also a sort of release—a buoyant moment that cuts through the sadness. “I think I hit a point in songwriting during this record where I was just like, man, I said a lot.” Webster says. “I'm just going to sit down and sing about this ring that I really want. ”Like the rest of the album, Webster isn’t providing answers, nor is she on some epic journey of healing and self-care. Instead, she’s choosing to just live, to document heartbreak and ridiculous moments right next to each other, until they start to blur together, becoming real enough for us all to feel.

Faye Webster - Underdressed At The Symphony [LP]
$24.98
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BACK IN BLACK is the 6th best selling album in US History and has went 19 times platinum. This digitally remastered contains a 16 page booklet with unpublished photos, classic memorabilia, and new liner notes by the Rolling Stone's David Fricke.
AC/DC - Back In Black [Remaster]
$9.99
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Phoebe Bridgers doesn’t write love songs as much as songs about the impact love can have on our lives, personalities, and priorities. Punisher, her fourth release and second solo album, is concerned with that subject. To say she writes about heartbreak is to undersell her blue wisdom, to say she writes about pain erases all the strange joy her music emanates. The arrival of Punisher cements Phoebe Bridgers as one of the most clever, tender and prolific songwriters of our era.

Bridgers is the rare artist with enough humor to deconstruct her own meteoric rise. Repeatedly praised by publications like The New Yorker, The New York Times, GQ, Pitchfork, The Fader, The Los Angeles Times and countless others, Bridgers herself is more interested in discussing topics on Twitter, deadpanning meditations on the humiliating process of being a person, she presents a sweetly funny flipside to the strikingly sad songs she writes. Fittingly, Punisher is fascinated with, and driven by, that kind of impossible tension. Whether it’s writing tweets or songs, Bridgers’s singular talent lies in bringing fierce curiosity to slimy and painful things, interrogating them until they yield up answers that are beautiful and absurd, or faithfully reporting the reality that, sometimes, they are neither.

Bridgers pulls together a formidable crew of guests, including the Julien Baker, Lucy Dacus, Christian Lee Hutson and Conor Oberst as well as Nathaniel Walcott (of Bright Eyes), Nick Zinner (of the Yeah Yeah Yeahs), Jenny Lee Lindberg (of Warpaint), Blake Mills and Jim Keltner as well as her longtime bandmates Marshall Vore (drums), Harrison Whitford (guitar), Emily Retsas (bass) and Nick White (keys). The album was mixed by Mike Mogis, who also mixed Stranger In The Alps.

On the album’s epic, freewheeling closer, “I Know The End,” Bridgers orchestrates wails and horns, drums and electric guitar into a sumptuous doomsday swirl, culminating in her own final whispered roar. This is Punisher in a nutshell: devastating elegance punctuated by a moment of deeply campy self-awareness. 

Phoebe Bridgers - Punisher
$14.98
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Limited Edition C Packaging:  2 CD, 112-page photo booklet w/ 2 stickers, and 1 square photo card in deluxe slipcase digipak.

BTS - BTS, THE BEST [Limited Edition C] [2 CD]
$38.98
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Kelly Clarkson - When Christmas Comes Around... Again (DELUXE VERSION), the ninth studio album from GRAMMY-winning global superstar Kelly Clarkson, features a mix of new original songs and Christmas classics, alongside show-stopping collaborations with Ariana Grande ("Santa, Can't You Hear Me"), Chris Stapleton("Glow") & Brett Eldredge (2020's hit single "Under The Mistletoe"). The 16-track collection explores a wide range of holiday emotions and experiences anchored by Clarkson's incomparable vocal prowess, marking her latest album since 2017's Meaning of Life and her second holiday offering following 2013's Wrapped In Red.
Clarkson, Kelly - When Christmas Comes Around Again
$15.98
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The Deftones' first album in three years, SATURDAY NIGHT WRIST follows the band's fourth consecutive gold or platinum album, the 2003 self-titled disc that was the Grammy-winning group's highest charter at #2. SATURDAY NIGHT WRIST is bombastic yet vulnerable, aggressive yet thoughtful - combinations that have made the Deftones among the most respected and acclaimed bands in hard rock.
Deftones - Saturday Night Wrist
$9.98

        
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